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<channel>
	<title>SHEEBORSHEE</title>
	<link>https://sheeborshee.com</link>
	<description>SHEEBORSHEE</description>
	<pubDate>Wed, 21 Dec 2022 17:37:26 +0000</pubDate>
	<generator>https://sheeborshee.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Kautun</title>
				
		<link>https://sheeborshee.com/Kautun</link>

		<pubDate>Wed, 21 Dec 2022 17:37:26 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Kautun</guid>

		<description>&#60;img width="3412" height="1930" width_o="3412" height_o="1930" data-src="https://freight.cargo.site/t/original/i/7b51848e93f71461c7ae92d665d4b69b71eb61308aaa0fa905b2ba29eb4ad676/Screenshot-2026-02-27-at-17.30.09.png" data-mid="245403272" border="0"  src="https://freight.cargo.site/w/1000/i/7b51848e93f71461c7ae92d665d4b69b71eb61308aaa0fa905b2ba29eb4ad676/Screenshot-2026-02-27-at-17.30.09.png" /&#62;
	Kautun
Video, AI generated animation

4min 36sec, 2025

Music by CHRISTOPH OGIERMANN



The piece explores how this condition was understood not merely as a medical issue, but as a manifestation of deeper political, social, and spiritual anxieties faced by the Belarusian people throughout their history.

The kautun as a manifestation of collective anxiety, the ritualistic treatment methods, and the political undertones of the healing process.

In the borderlands between empires, the Belarusians knew a phenomenon that transcended medicine—the kautun. This was not simply tangled hair, but the physical manifestation of a nation's collective anxiety, a symptom of lands perpetually caught between empires.

The kautun appeared as a mass of matted hair, sometimes dry as autumn leaves, sometimes moist and fetid, twisted into an impenetrable feltlike mass.

"After forty years, everyone has one," the elders would say, knowing that accumulated sorrows must find their form.

The kautun became the body's confession. Was never merely keratin. It was the visible knot of all that could not be spoken—an externalization of internal chaos: political oppression, economic hardship, spiritual displacement. Yet in this very entanglement lay a strange form of resistance, a stubborn refusal to be smoothed or ordered.

Some say kautun appears as warning, others as blessing. Perhaps it is both — a reminder that we are never truly separate from the ancient powers that move through root and branch, stream and stone.


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		<title>Soft Score</title>
				
		<link>https://sheeborshee.com/Soft-Score</link>

		<pubDate>Tue, 17 May 2022 09:51:32 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Soft-Score</guid>

		<description>Soft Score
2022
wool, basketball rim, coffee, latex




&#60;img width="3169" height="4271" width_o="3169" height_o="4271" data-src="https://freight.cargo.site/t/original/i/496a49de768032b92b96150317ce4ec4528cc20ec2db4298debf42071d89a4ed/2.jpg" data-mid="142832212" border="0"  src="https://freight.cargo.site/w/1000/i/496a49de768032b92b96150317ce4ec4528cc20ec2db4298debf42071d89a4ed/2.jpg" /&#62;
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	<item>
		<title>Sunflowers</title>
				
		<link>https://sheeborshee.com/Sunflowers</link>

		<pubDate>Mon, 25 Apr 2022 12:38:22 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Sunflowers</guid>

		<description>
	
	

	




	‘Возьмите семечки, положите в карман, чтобы хоть подсолнухи выросли, когда вы здесь ляжете’‘Take the seeds, put them in your pocket so that at least sunflowers will grow when you lie down here’
&#60;img width="1463" height="1214" width_o="1463" height_o="1214" data-src="https://freight.cargo.site/t/original/i/48e35cb6a47835ea73f6eaf9b338d771565116a43b13852cdcde494c51dc573e/IMG_7617.jpg" data-mid="140614470" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/48e35cb6a47835ea73f6eaf9b338d771565116a43b13852cdcde494c51dc573e/IMG_7617.jpg" /&#62;



	At the first day of the war in Ukraine I came across the video where a brave Ukrainian woman was approaching fully armed russian occupants and demanding them to put seeds (by semechki it is usually meant sunflowers seeds) in their pockets. On the video she is repeatedly saying: Take the seeds, put them in your pocket so that at least sunflowers will grow when you lie down here
She is furious and literally wishes occupants to become fertiliser for her flowers. I found this very touching and poetic way to wish someone to die.
The flowerbed is representing her words. The sunflowers are growing through the pockets of military clothes. Sunflower is an important national symbol for Ukrainians.
Fuck wars. Glory to Ukraine.



	

	&#60;img width="1721" height="1882" width_o="1721" height_o="1882" data-src="https://freight.cargo.site/t/original/i/0aa2b791411f37e6d2827fb7f378954a33ddfd0ee069e3ce19e00f0c37330449/IMG_7616-2.jpg" data-mid="140614677" border="0"  src="https://freight.cargo.site/w/1000/i/0aa2b791411f37e6d2827fb7f378954a33ddfd0ee069e3ce19e00f0c37330449/IMG_7616-2.jpg" /&#62;

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	<item>
		<title>Why and how do I want to become a witch?</title>
				
		<link>https://sheeborshee.com/Why-and-how-do-I-want-to-become-a-witch</link>

		<pubDate>Wed, 03 Nov 2021 23:58:35 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Why-and-how-do-I-want-to-become-a-witch</guid>

		<description>&#38;nbsp;&#60;img width="2800" height="1548" width_o="2800" height_o="1548" data-src="https://freight.cargo.site/t/original/i/d13d18da5fba57bb741d75c804f6e3b3bb44c9215aac0fadc82343922c1ea21e/text-01.png" data-mid="123759312" border="0"  src="https://freight.cargo.site/w/1000/i/d13d18da5fba57bb741d75c804f6e3b3bb44c9215aac0fadc82343922c1ea21e/text-01.png" /&#62;


Why and how do I want to become 
a witch?

Multimedia installation /Audio, Video, Web, 3D animation, Style-GAN/ consisting of four ‘Spells’. By ‘spell’ is meant a block of an artistic research tackling different forms of oppression against women. All visual and sonic media run simultaneously to conjure the effect of the spiritual journey.


	In September 2019, I visited a relative in a remote village in rural Belarus who, in her 80s, lived alone in the middle of nowhere. Throughout her long family stories, she mentioned one more relative, Julia, with the striking fact that she was a whisperer. This is an ancient Belarusian form of shamanism, half pagan half Christian, in which women heal people by whispering words, picking herbs and burning them. They typically heal children from ‘fears’. 

The fact that there was a witch in my family suddenly brought me a lot of inspiration and a load of reflections. I found the tradition very touching and intimate, and considered a whispering woman a great metaphor for underheard women as a whole.
 
Empowered by the knowledge of my witch-relative I start with my spells. By spells, I mean blocks of my research: Invisibility, Sexiness, Fertility and Voice. Each is reclaiming, demanding or empowering. A speculative multimedia reflection on the existing forms of discrimination against women.









	The witch becomes a symbol of female resistance. She is a figure from myth and legend as well as from the deep history of humanity. In the present, she embodies multiple concepts and is seen in different aspects by different people.

The witch is undeniably political and therefore her powers can be used to remedy many of the injustices occurring in society today. I am casting these spells to raise awareness of the ongoing and too-often still invisible discrimination against women.

While magic is a refusal of the explanation, I am using it to actually explain and elucidate things. To stress how that which is invisible is not necessarily transparent in our society. Something quiet is not worse than something loud.

 The witch can therefore conjure up a more equal future wherein different kinds of existence are all made visible.

With this knowledge, I am honoured to join the witch coven.


	
	



&#60;img width="5804" height="3794" width_o="5804" height_o="3794" data-src="https://freight.cargo.site/t/original/i/7443c014fcb4d6b34314a5610dcd413898d24279274ff0e7f5c13cc08c0084e3/10.jpg" data-mid="124051212" border="0"  src="https://freight.cargo.site/w/1000/i/7443c014fcb4d6b34314a5610dcd413898d24279274ff0e7f5c13cc08c0084e3/10.jpg" /&#62;
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&#60;img width="5982" height="3947" width_o="5982" height_o="3947" data-src="https://freight.cargo.site/t/original/i/6a1ff4763d7cf3d6c7cd50c72d2fc2b392e5acfd4ad019c20747029b76e4a068/4.jpg" data-mid="124051210" border="0"  src="https://freight.cargo.site/w/1000/i/6a1ff4763d7cf3d6c7cd50c72d2fc2b392e5acfd4ad019c20747029b76e4a068/4.jpg" /&#62;




	Voice spell
	Voice Spell is a sonic piece. 
Voicing out a flow of thoughts, a maze of anxieties.
 Women are not heard, voices are often excluded, voices are not listened to. I am talking quietly so people have to make an effort to listen to me. And since nowadays voice is a very gendered term, in my sonic piece the audience will experience the opposite: the absence of a comforting female voice. Whispering may be associated with ASMR (autonomous sensory meridian response) and considered to be a therapeutic practice with an often sedative sensation. However, in my sonic piece I aim for some irritation instead. The voice jumps from a whisper to a hiss, monotonous reading and echoing repetition. In the narration, I weave in sections about algorithms, the invisibility suit and reproductive demands on women, thereby making this piece voice the others.



	Invisibility spell



	A video piece where I am reclaiming my invisibility. I don't always want to be seen as a woman, as a care worker by default. No one sees me — no one demands anything from me. Such a grotesque move is an answer to the systemic discrimination against women. Biased datasets that exclude women are used everywhere: from government policy and medical research to technology, workplaces, urban planning and the media. It makes half of the population just invisible. I am taking this fact of extreme unfairness to absurdity, as when escapism is taken too literally.



	Sexiness spell
	Here I conduct an Instagram (@spheres_as_b00bs) experiment against the technochauvinistic belief that automated systems would not discriminate. 
 In my experiment, I'm triggering algorithms that may not be misogynistic per se, but that learned from our sexist society and failed to reach independent conclusions. It doesn't matter whether or not my page will be banned in the end. “I study my enemy,” says the narrative voice.



	Fertility spell
	Witches were persecuted for helping to terminate pregnancies or contraception, infanticide. My spell is about endless fertility control. Here I will create a symbol of infinity in the form of oral contraceptives. Maternity remains one of the few social institutions to have been little affected by the process of modernization. The discovery of oral contraceptives (OK) in the 60s pushed the oppression of women a few steps back and helped reclaim control over our bodies. Although OK are not fully OK,
I am going to use the pill as a symbol to pay tribute to the once-proclaimed sexual revolution.
 In developed countries and countries in transition, women are no longer passive political objects and are becoming more and more involved in demographic processes by advocating for their interests. Nevertheless, we still have to take to the streets in demonstrations defending the right to abortion. As in the recent Strajk Kobiet in Poland.
 
Something that is claimed to be natural usually appears to be the greatest source of discrimination. Whether you are gay, queer, trans or a woman who does not dream about having kids and a heteronormative family — all are going to be proclaimed as ‘unnatural’.

Supervision:
Prof. Dr. Andrea Sick

Dr. Petra Klusmeyer

Camera: 
Liliia Zakirova
Guitar:
Maksim KulshaProofreading: Joshua Jenkins

3D animation (Fertility spell):
Nina Popko

Special thanks to 
Patrick Giefer and Yulia Tsviatkova
Financial support Der senator für Kultur, Bremen



	︎
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	<item>
		<title>Sudden extreme intimacy. vol 2&#124; 2021</title>
				
		<link>https://sheeborshee.com/Sudden-extreme-intimacy-vol-2-2021</link>

		<pubDate>Sat, 22 May 2021 14:49:30 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Sudden-extreme-intimacy-vol-2-2021</guid>

		<description>
	
	

	Sudden extreme intimacy. vol 22020. Interactive installation: video, 3D animation, Hubs space, gamepad


&#60;img width="1000" height="633" width_o="1000" height_o="633" data-src="https://freight.cargo.site/t/original/i/ec1aaf180bbcc48d38de674db8d764db087e0612d2612421c1b0a685339907df/df.jpg" data-mid="109203767" border="0"  src="https://freight.cargo.site/w/1000/i/ec1aaf180bbcc48d38de674db8d764db087e0612d2612421c1b0a685339907df/df.jpg" /&#62;

	‘ In her project “SuddenExtreme Intimacy” she refers to the digitallandscape that changed dramatically in2020 (primarily due to the spread of theCovid-19 virus) and transformed howwe work and communicate, and to therole of modern technology (messengers,algorithms, digital platforms) in theBelarusian protests. Daria creates 3Dspaces and environments that capture thisdigital sudden extreme intimacy througha series of video calls where the speakers’interfaces are blended to an uncomfortablyclose level. ’&#38;nbsp;‘Every Day. Art. Solidarity. Resistance’ booklet
&#60;img width="1000" height="633" width_o="1000" height_o="633" data-src="https://freight.cargo.site/t/original/i/2b97b5a6ca40da8c5c807ebff7b83a58cf9134aee98dc565c158edf7d532aa3a/finn.jpg" data-mid="109202565" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/2b97b5a6ca40da8c5c807ebff7b83a58cf9134aee98dc565c158edf7d532aa3a/finn.jpg" /&#62;





	Documentation from ‘Every Day. Art. Solidarity. Resistance’
 Mystetskyi Arsenal, Kyiv 2020

&#60;img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/51af6826e6f4fda55005b1ec3e0723315a613f057b634b4d0598685689136e7f/photo_2021-05-22-16.58.01.jpeg" data-mid="109203304" border="0"  src="https://freight.cargo.site/w/1000/i/51af6826e6f4fda55005b1ec3e0723315a613f057b634b4d0598685689136e7f/photo_2021-05-22-16.58.01.jpeg" /&#62;

	&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a68da79089b249427ec81488eee34df0f70915bc2fd6bb81e0a27232bea444cf/photo_2021-05-22-16.58.08.jpeg" data-mid="109203303" border="0"  src="https://freight.cargo.site/w/1000/i/a68da79089b249427ec81488eee34df0f70915bc2fd6bb81e0a27232bea444cf/photo_2021-05-22-16.58.08.jpeg" /&#62;
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	<item>
		<title>Balaclava for the honest&#124; 2020</title>
				
		<link>https://sheeborshee.com/Balaclava-for-the-honest-2020</link>

		<pubDate>Tue, 02 Feb 2021 23:11:50 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Balaclava-for-the-honest-2020</guid>

		<description>
	&#60;img width="2371" height="2454" width_o="2371" height_o="2454" data-src="https://freight.cargo.site/t/original/i/356c0145603fce0d04dc76cb987f1762c69cf8833db813b99e642e990d6b973c/11.jpg" data-mid="97535916" border="0"  src="https://freight.cargo.site/w/1000/i/356c0145603fce0d04dc76cb987f1762c69cf8833db813b99e642e990d6b973c/11.jpg" /&#62;Balaclava for the honest,2020 PVCA reactionary work responding to the 2020 protests in Belarus, when police violence escalated to the point that officers concealed their identities behind balaclavas and civilian clothing. In answer, I created transparent balaclavas — a call for fair play, accountability, and the visibility of power.




	&#60;img width="2371" height="2454" width_o="2371" height_o="2454" data-src="https://freight.cargo.site/t/original/i/104d555d83a4c584a3231070f2d92a5c34fa4e0bd6bbc7f87b1b54370967baba/3.jpg" data-mid="97535951" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/104d555d83a4c584a3231070f2d92a5c34fa4e0bd6bbc7f87b1b54370967baba/3.jpg" /&#62;

	&#60;img width="2400" height="1597" width_o="2400" height_o="1597" data-src="https://freight.cargo.site/t/original/i/b4844fcf0896a2f9c805001dc95fdf55c5d57bd7d954518a2f05c926150b986f/DSC_5283.jpg" data-mid="125746506" border="0"  src="https://freight.cargo.site/w/1000/i/b4844fcf0896a2f9c805001dc95fdf55c5d57bd7d954518a2f05c926150b986f/DSC_5283.jpg" /&#62;
	&#60;img width="2400" height="1597" width_o="2400" height_o="1597" data-src="https://freight.cargo.site/t/original/i/2d09a4d81a8703d02e7350c5e5704b1e20b3401dfd155620c415351a0b89ffb1/DSC_5287.jpg" data-mid="125746508" border="0"  src="https://freight.cargo.site/w/1000/i/2d09a4d81a8703d02e7350c5e5704b1e20b3401dfd155620c415351a0b89ffb1/DSC_5287.jpg" /&#62;
by_Dmitrij Leltschuk


	&#60;img width="2362" height="3543" width_o="2362" height_o="3543" data-src="https://freight.cargo.site/t/original/i/ace7ce409c0cbb1e4e4c28b3d47e130f4e1ccdda9d159bea8fa41efa7f3b7a63/_DSC0621.jpg" data-mid="125746510" border="0"  src="https://freight.cargo.site/w/1000/i/ace7ce409c0cbb1e4e4c28b3d47e130f4e1ccdda9d159bea8fa41efa7f3b7a63/_DSC0621.jpg" /&#62;
	Antikörper. Junge Kunst aus Belarus
Hamburg, 2021
Westwerk

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	<item>
		<title>Spectacular Discipline&#124; 2020</title>
				
		<link>https://sheeborshee.com/Spectacular-Discipline-2020</link>

		<pubDate>Wed, 27 Jan 2021 01:04:06 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Spectacular-Discipline-2020</guid>

		<description>&#60;img width="2935" height="1698" width_o="2935" height_o="1698" data-src="https://freight.cargo.site/t/original/i/6e9336b564b57c9311ffaea6db6bde52bfd64d61fd24af5f8172e0c24a02191c/tor40.jpeg" data-mid="164453461" border="0"  src="https://freight.cargo.site/w/1000/i/6e9336b564b57c9311ffaea6db6bde52bfd64d61fd24af5f8172e0c24a02191c/tor40.jpeg" /&#62;


	&#60;img width="3358" height="1884" width_o="3358" height_o="1884" data-src="https://freight.cargo.site/t/original/i/b0494dda000f0a64fef81f9985c6b4c4baa8e41030d660b94537fb19f18d49cb/1.jpg" data-mid="132759354" border="0"  src="https://freight.cargo.site/w/1000/i/b0494dda000f0a64fef81f9985c6b4c4baa8e41030d660b94537fb19f18d49cb/1.jpg" /&#62;
	&#60;img width="5283" height="3234" width_o="5283" height_o="3234" data-src="https://freight.cargo.site/t/original/i/a8d0a024c586bbfa99847048c1a01f6aa6e1b1f641d701a6c5165a3453dac936/steel_vid.jpg" data-mid="110620576" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/a8d0a024c586bbfa99847048c1a01f6aa6e1b1f641d701a6c5165a3453dac936/steel_vid.jpg" /&#62;
	&#60;img width="3358" height="1884" width_o="3358" height_o="1884" data-src="https://freight.cargo.site/t/original/i/58b1ad245c1517726c7185087b286710caa21c6ccdedf7d758e108412be72381/3.jpg" data-mid="132759362" border="0"  src="https://freight.cargo.site/w/1000/i/58b1ad245c1517726c7185087b286710caa21c6ccdedf7d758e108412be72381/3.jpg" /&#62;




Spectacular Discipline, 2016-2020The project represents documentation of the manifestation of disciplinary power performed through soldiers and a machine. The video piece consists of real footage of soldiers and years of observation of a heterotopic island in the suburbs of Minsk. It is a personal archive of a training process from a military base focused on a drill to perform on an annual national parade. Belarus is an authoritarian country and serving in the army is mandatory. People in the video are not necessarily having fun. 

The rotating rifle setup rotates the rifle with tenacity. Goes through ups and downs. Is it as spectacular as soldiers struggle? Doubtful.
Currently Spectacular Discipline can be viewed on&#38;nbsp;ANTI-WAR COALITION platform.&#38;nbsp;&#38;nbsp;
 Maschine performing alone:


Spectacular Discipline from sheeborshee on Vimeo.


	&#60;img width="2400" height="1597" width_o="2400" height_o="1597" data-src="https://freight.cargo.site/t/original/i/196484adcab22ae6d7a98a53f2e472a91a23a385d068529e3cc4fea4aadcec8e/DSC_5252.jpg" data-mid="125747739" border="0"  src="https://freight.cargo.site/w/1000/i/196484adcab22ae6d7a98a53f2e472a91a23a385d068529e3cc4fea4aadcec8e/DSC_5252.jpg" /&#62;
	&#60;img width="2400" height="1597" width_o="2400" height_o="1597" data-src="https://freight.cargo.site/t/original/i/ea896a3dd7cdbf8eb0d7dbad3886458235c73bf75c3c9d5dcc6534a68b1a3f0b/DSC_5403.jpg" data-mid="125747743" border="0"  src="https://freight.cargo.site/w/1000/i/ea896a3dd7cdbf8eb0d7dbad3886458235c73bf75c3c9d5dcc6534a68b1a3f0b/DSC_5403.jpg" /&#62;by_Dmitrij LeltschukAntikörper. Junge Kunst aus BelarusHamburg, 2021Westwerk


</description>
		
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	<item>
		<title>Sudden extreme intimacy&#124; 2020</title>
				
		<link>https://sheeborshee.com/Sudden-extreme-intimacy-2020</link>

		<pubDate>Sun, 28 Jun 2020 12:04:08 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Sudden-extreme-intimacy-2020</guid>

		<description>
	
	
	

	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/94e02cef59647e03c4701ed02d15c717d0d9ace84d4b7b040ed316a8df21adf6/ezgif-6-97312fd64082.gif" data-mid="75876619" border="0" data-scale="100" data-marker-id="2" src="https://freight.cargo.site/w/600/i/94e02cef59647e03c4701ed02d15c717d0d9ace84d4b7b040ed316a8df21adf6/ezgif-6-97312fd64082.gif" /&#62;
	

	&#60;img width="850" height="540" width_o="850" height_o="540" data-src="https://freight.cargo.site/t/original/i/aaecf4bc51902c5394957cbcab7242075ca2dd9716f4e0c46b19775a3f0abaf6/1.jpg" data-mid="75853934" border="0" data-scale="68" data-marker-id="3" data-draggable src="https://freight.cargo.site/w/850/i/aaecf4bc51902c5394957cbcab7242075ca2dd9716f4e0c46b19775a3f0abaf6/1.jpg" /&#62;





	Sudden extreme intimacy, 2020

In this video I am experimenting with  almost uncomfortable level of
	
	
 intimacy in between two strangers (me and Karina) blend together with the interface.

Video was done during the workshop with The Rodina and exhibited at Strelka.TheRodina.Live
	&#60;img width="600" height="323" width_o="600" height_o="323" data-src="https://freight.cargo.site/t/original/i/defe97f80c000977fbd9f50d7b823453d59b0b216822872adfe8a2d2c47c3abc/show.gif" data-mid="75882287" border="0"  src="https://freight.cargo.site/w/600/i/defe97f80c000977fbd9f50d7b823453d59b0b216822872adfe8a2d2c47c3abc/show.gif" /&#62;



	

	
Sudden extreme intimacy from sheeborshee on Vimeo.
	
</description>
		
	</item>
		
		
	<item>
		<title>AR body filters&#124; 2019</title>
				
		<link>https://sheeborshee.com/AR-body-filters-2019</link>

		<pubDate>Wed, 31 Jul 2019 22:43:19 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/AR-body-filters-2019</guid>

		<description>AR BODY FILTERS
	&#60;img width="1701" height="974" width_o="1701" height_o="974" data-src="https://freight.cargo.site/t/original/i/4eb0a2874ac76137b0d5a674ca09a0a7513bf6454c34e85916bd09da8b2bb635/--2019-07-31--18.51.59-copy.png" data-mid="47790598" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4eb0a2874ac76137b0d5a674ca09a0a7513bf6454c34e85916bd09da8b2bb635/--2019-07-31--18.51.59-copy.png" /&#62;


	
	A real-time pose estimation in the browser using 
TensorFlow.js, PoseNet model and fancy 3D objects

The project is based on the artist’s personal interest in tracking systems. Exploring the possibilities of facial and body recognition, playful body AR filters are just the shy reminders of how precisely machines see us moving.
	


You can try it here: https://sheeborshee.github.io/AR-body-filters/
&#60;img width="720" height="405" width_o="720" height_o="405" data-src="https://freight.cargo.site/t/original/i/5960d102bfecbde90226db055053fb166e4b43728dda4af22f2927b2cbefec1a/IMG_0820-min.gif" data-mid="47764428" border="0"  src="https://freight.cargo.site/w/720/i/5960d102bfecbde90226db055053fb166e4b43728dda4af22f2927b2cbefec1a/IMG_0820-min.gif" /&#62;


	&#60;img width="4479" height="3770" width_o="4479" height_o="3770" data-src="https://freight.cargo.site/t/original/i/a9a095f958db5f321c39f8fa1c2162be6f5fb9a0c5d17768122e5f00902e56a4/IMG_0737.png" data-mid="47792057" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/a9a095f958db5f321c39f8fa1c2162be6f5fb9a0c5d17768122e5f00902e56a4/IMG_0737.png" /&#62;

	

	
‘AR body filters’ is a final project of the 
‘Bots and Machine Learning’ course by Yining Shi at School of Machines.

Final group presentation was in ACUD, Berlin, 2019




	

</description>
		
	</item>
		
		
	<item>
		<title>Crysis&#124; 2019</title>
				
		<link>https://sheeborshee.com/Crysis-2019</link>

		<pubDate>Thu, 02 May 2019 09:14:46 +0000</pubDate>

		<dc:creator>SHEEBORSHEE</dc:creator>

		<guid isPermaLink="true">https://sheeborshee.com/Crysis-2019</guid>

		<description>
	
	



&#60;img width="1082" height="576" width_o="1082" height_o="576" data-src="https://freight.cargo.site/t/original/i/0ef3f206d526328f0efcdb734d240d9ee5d29f13f08230e467100bed91c5c6d7/4.png" data-mid="42722962" border="0"  src="https://freight.cargo.site/w/1000/i/0ef3f206d526328f0efcdb734d240d9ee5d29f13f08230e467100bed91c5c6d7/4.png" /&#62;
&#60;img width="3508" height="1138" width_o="3508" height_o="1138" data-src="https://freight.cargo.site/t/original/i/c4a8792b64e6dc02de950a6dbdadaf3b9015f4ce4f46ff65d9099e006ef41981/tears1-01.png" data-mid="42693276" border="0"  src="https://freight.cargo.site/w/1000/i/c4a8792b64e6dc02de950a6dbdadaf3b9015f4ce4f46ff65d9099e006ef41981/tears1-01.png" /&#62;




Crysis is a fiction film set in the near future. A future with an extremely high level of air pollution and where the authorities have no intention to fight against it. Moreover, they find a new easily accessible personal identification method through the irritated eyes of the population: the tears are a new unique biometric data. A tear scanner is quickly implemented into the governmental 
tracking system of citizens. 
&#60;img width="2134" height="1250" width_o="2134" height_o="1250" data-src="https://freight.cargo.site/t/original/i/3bfc9acb2748a5ee6d4100ae9e27365350eb2303227cd4c55a5c87de3ada53ca/3.jpg" data-mid="42690701" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/3bfc9acb2748a5ee6d4100ae9e27365350eb2303227cd4c55a5c87de3ada53ca/3.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/bb7f8466f8b498ed0a82b37f7535aa5501b4a5d93c1bb0747d0c96b15ed116a4/2.jpg" data-mid="42690705" border="0"  src="https://freight.cargo.site/w/1000/i/bb7f8466f8b498ed0a82b37f7535aa5501b4a5d93c1bb0747d0c96b15ed116a4/2.jpg" /&#62;
&#60;img width="506" height="3508" width_o="506" height_o="3508" data-src="https://freight.cargo.site/t/original/i/0f5ddc881931f4c66815f84f822890486e1fa2c8784a02b26a9abf029eae1b6c/4-01.png" data-mid="42723234" border="0"  src="https://freight.cargo.site/w/506/i/0f5ddc881931f4c66815f84f822890486e1fa2c8784a02b26a9abf029eae1b6c/4-01.png" /&#62;





But was the ordinary individual being informed? 


Life turns into a daily surveillance paranoia. 
Clinical depression became a pandemic. 
The apathetic mood deterred the mind of clear political thought. 
The fight is unequal. 
There is no resistance to crying.
Director and editing: Daria Sazanovich
Sound: zolaa. 
Cast: 










Yuliya Tsviatkova, Icaro López de Mesa Moyano, Eva Klauss






	
	





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